Saturday, September 13, 2014
Wednesday, August 20, 2014
La Vuelta Podcast: Images of Latin America's "Dirty Wars" at John Jay College
The "Dirty Wars" of the 1970s and 1980s in Latin America left deep imprints on the societies in which they were waged. The violence and terror of those years shaped everything from political discourse to literature and music. The visual arts, of course, were not immune to the struggles of that era either. Photographers and other visual and multimedia artists captured not only the brutality of Latin America's authoritarian regimes but also the ways in which ordinary citizens resisted them. The theme of resistance is at the center of an exhibition at John Jay College's Anya and Andrew Shiva Gallery entitled "Bearing Witness: Art and Resistance in Latin America." Organized by two of my John Jay College colleagues, Roberto Visani and Marcia Esparza, together with art historian and collector Estrellita Brodsky, the exhibition captures images of fear and courageous defiance in the face of government impunity. As Brodsky points out in this interview, the viewer is drawn to these images and is forced to confront the violence head-on; "you can't claim you didn't see it." Indeed.
Through September 12, 2014.
Bearing Witness: Art and Resistance in Latin America.
Anya and Andrew Shiva Gallery
John Jay College of Criminal Justice/CUNY
524 West 59th Street, L2.73.14 New York, NY 10019
Gallery Hours: 1pm-5pm, M-F, or by appointment
For more information please contact:gallery@jay.cuny.edu | 212-237-1439
Saturday, August 16, 2014
La Vuelta Podcast: East Los High
Let’s just get this out of the way from the get-go: East Los High is addictive. The Hulu-based
series has enough sex, drama, intrigue and double-dealing to make it a worthy
heir to the rich tradition of Latin American telenovelas. But to see the
show simply as a U.S. Latino version of the nightly fare on Univision or Telemundo is to miss the its larger point of highlighting the very real
health issues facing many Latino teens in the United States. East Los High, which is a project of the
Population Media Center, is the latest successful example of the Sabido Method,
an entertainment-education strategy that uses television and radio serials to
raise awareness of issues related to health, especially reproductive
health. The program has enjoyed wide
success in the developing world but East Los High is the first attempt to reach Latinos in the United
States. As Kathleen Bedoya, the show’s
co-creator and co-Executive Producer, tells us in this interview, the show,
which launched its second season on Hulu in July, has not only attracted a
large audience because of its story-lines but has been able to change young
Latinos’ attitudes about sex, health, and nutrition. In short, East Los High isn’t your abuela’s telenovela. (Although she’d probably watch it anyway).
Thursday, July 17, 2014
La Vuelta Podcast: Newark's Puerto Rican Riots
The riots that shook Newark, New Jersey in the summer of
1967 have long since defined the city.
All of the key issues in the difficult 20th century history
of America’s urban centers seemed to be at play in New Jersey’s largest city that
July: corruption, police brutality, poverty, white flight and black political
ascendancy. Perhaps no other city in the
country—save perhaps for the Watts neighborhood of Los Angeles, which had its
own riots in 1965—has been as identified with a riot as has Newark.
For years, however, the events of 1967 overshadowed other
aspects of Newark’s history. As deeply
connected as Newark has been to the urban history of the United States and
especially to African-American history, the city is also home to significant
numbers of Latinos. Today, Latinos
account for one third of the city’s population and, after years of population
decline, it is they who have helped the city’s population grow from 273,671 in
2000 to just over 277,000 residents in 2010.
The emergence of Latinos as an important part of Newark’s
population has led to reexamination of the city’s history and especially its
Latino history. Thousands of Puerto
Ricans migrated to Newark starting in the 1950s and while their numbers never
reached those of the Puerto Rican communities in neighboring New York City, their
impact on the city was obvious, especially in places such as the city’s North
Ward. One example of this search for
Newark’s Latino history is a recent exhibition, organized by Prof. Michelle
Chase and her students at Bloomfield College, which highlights a long-forgotten
violent confrontation between Newark’s Puerto Ricans and the police in
1974. The Newark Puerto Rican Riots were
less deadly and costly than the riots of 1967.
But as Professor Chase points out in a recent interview, they are an
important chapter in the political development of Newark’s Latino community.
The exhibition is on view at the Bloomfield College library
until August 29th.
Thursday, June 26, 2014
La Vuelta Podcast: Alfredo Corchado's Mexico
In the weeks after I finished reading Alfredo Corchado's Midnight in Mexico: A Reporter's Journey Through A Country's Descent into Darkness, I couldn't help recommending it to friends and colleagues. By masterfully mixing both his own family's recent history and that of his native country, Corchado has managed to create a chronicle of Mexico's unraveling that is as personal as it is political.
At great risk to himself, he presents us with a story where corruption and impunity (and the voracious appetite for drugs from the United States) have managed to undermine the integrity of the Mexican state. Yet, as we discuss in this new episode of La Vuelta, he also conveys how deeply connected the United States and Mexico are not just by the "war on drugs" but by ties of trade, family and history. In his telling, Mexico is no faraway place, it is instead a dysfunctional neighbor whose well-being should matter to all Americans greatly.
At great risk to himself, he presents us with a story where corruption and impunity (and the voracious appetite for drugs from the United States) have managed to undermine the integrity of the Mexican state. Yet, as we discuss in this new episode of La Vuelta, he also conveys how deeply connected the United States and Mexico are not just by the "war on drugs" but by ties of trade, family and history. In his telling, Mexico is no faraway place, it is instead a dysfunctional neighbor whose well-being should matter to all Americans greatly.
Wednesday, June 4, 2014
The Tiananmen Massacre as seen from Havana
With all of the coverage today about the 25th anniversary of the Tiananmen Massacre in China, it's useful to highlight the way one of the Chinese government's allies--Cuba--reported the events that took place a quarter century ago. Enrique del Risco, who is one of the keenest (and funniest) observers of the "cosa cubana" posted an article from Granma on his blog five years ago that highlights the lengths to which the Cuban government went to defend the brutality unleashed against student protesters in Beijing. It's worth reading again. Something about "birds of a feather" comes to mind.
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| "Tank Man" (1989) (Photo courtesy of Resourcemagonline.com) |
Sunday, May 25, 2014
La Vuelta Podcast: Ilan Stavans on the life and legacy of Octavio Paz
When the Nobel Prize-winner Octavio Paz died in 1998, he was one of the most prominent public intellectuals in all of Latin America and certainly the most famous and celebrated one in Mexico. His work as a poet, essayist, critic, publisher and diplomat gave him remarkable access and freedom to chronicle the changes that took place in Mexico during the 20th Century. But his career was also marked by streaks of imperiousness and self-regard that alienated many fellow writers and intimidated a generation or more of Mexican writers who labored in his enormous shadow.
As we mark the centennial of Paz's birth and in order to better understand his legacy in Mexico and throughout Latin America, we spoke to Ilan Stavans, whose book, Octavio Paz: A Meditation, (University of Arizona Press, 2002) examined not only Paz's contributions to Latin American literature but the ways in which Paz served as a bridge between Latin America and the world of letters in Europe and the United States.
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| Octavio Paz (Photo courtesy of El Universal) |
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